The Story Behind The Cover

FOR FOUR successive months in 1933, War Birds ran a series of covers featuring “Strange War Planes.”—those freak planes that were used during the First World War. The covers were by Eugene M. Frandzen—known here for the covers he did for Sky Fighters from its first issue in 1932 until he moved on from the pulps in 1939. First up we have the Nieuport Triplane of 1918!

Strange War Ships:
The Nieuport Triplane of 1918

DESPITE the unusual appearance op this month’s cover ship, the designers were not trying to be funny. Triplane design was based on the pact that the use of three planes would permit a narrower chord and hence greater visibility for the pilot; increased maneuveribility; shortening of span and reduction of length without loss of lifting surface.

The “tripes” had the fatal weakness of shedding their linen on the upper wings and breaking up in the air. Sopwith, of England, produced the first successful tripe followed soon by Albatross and Fokker tripes. Nieuport engineers conceived the idea of staggering the wings like stair-steps. The result is pictured here, it was undergoing tests as the war closed. It was powered by a 110 h.p Le Rhone and had a top speed of 121 m.p.h., a span of 26 feet and length of 18 feet.

Strange War Ships: Nieuport Triplane 1918 • War Birds, June 1933
by Eugene M. Frandzen

Item of note: the cover image has apparently been reversed from the way it was painted as Frandzen’s signature is backwards on the ground under the tail of the Nieuport Triplane.

What is next month’s strange ship? Check back again for pictures and complete data on another freak ship of the war!

Eugene M. Frandzen painted the covers of The Lone Eagle from its first issue in September 1933 until the June 1937 issue when he would share duties with Rudolph Belarski. At the start of the run, Frandzen painted covers of general air action much like his Sky Fighters covers, shifting to covers featuring famous aces at the end of 1935. For the May 1936 issue, Frandzen gives us a Nieuport 28 and Pfalz D3 locked in combat!

The Story of the Cover

SOME planes had famous ancestors whose reputations had to be upheld. The Nieuport line was of the French aristocracy of war planes. The early Nieuport scouts were named “avions de chasse.” They were to the world war what the cavaliers clad in shining armour riding prancing Arabian horses were to the Middle Ages. The end of the war saw the Nieuport 28C1, a single-seater fighter, which made those American pilots speak of this plane with affection almost twenty years after the war.

The Germans had the Pfalz line of single-seater planes whose ancestry was not so clear. The early Pfalz D3 in fact had so many characteristics of the Nieuport of its time that it has not been free from the slur of being a copy. The Pfalz D13 of 1918 tried to save the family name by having a design all its own.

A Brilliant Ace

Frank L. Baylies was a member of the old Lafayette Escadrille. He was invited to join the Stork squadron of French veteran fighters. This young American airman was a brilliant star in a firmament of older aces. Baylies had twelve official victories credited to his skill in less than six months. The courageous qualities that endeared him to his comrades led him into an ambush on June 17, 1918. Flying well in German territory he attacked three enemy ships but a fourth German plane lurking above unseen came down on Baylies from the rear. Baylies’ plane fell in German territory.

The details of his last fight are clouded in the mystery of war, but the memory of one of America’s most intrepid airmen lives as a shining glory.

Prisoners of war were not always treated as “enemies” on our side of the lines. Usually they were steered to a liquid-soaked plank on which sundry bottles, glasses and other necessary drinking paraphenalia reposed.

Cognac and vintage wines skidded over appreciative palates. Any differences of opinion went by the board. After that. Max, Fritz or Oscar was merely on the wrong side of the argument, but he was a flyer and deserved a square deal before being thrown into clank for the duration of the war.

Such a situation arose one day when a wobbling German plane was forced down adjacent to a Yank drome. He was in one piece and thirsty. He sang a good bass to “Sweet Adeline.” He held his liquor like a gentleman and he could run like Nurmi.

He demonstrated this fact by grabbing the only .45 automatic in the crowd and sprinting across the flying field, hopping into a Nieuport 28 and getting off the field fifty yards ahead of a Yank who was testing a captured Pfalz D13 which had a trick Fokker tail in its rear section. Neither of the ships had ammo.

Duelling in Darkness

Both aviators had side arms, A cockeyed duel ensued as darkness began to fall. Two powerful planes heeled with pea shooters. They blazed at each other industriously. They did not see three cruising Allied planes rushing at them, nor did they see three German planes until the half dozen ships broke in on their private scrap with a bang. The German pilot in the Nieuport shrugged his shoulders and snuggled in among the Allied planes. The Yank took his lead and flipped his Pfalz among the Germans. Both foursomes veered off and headed for their own lines. The two revolver dueling airmen raised imaginary glasses to their lips; toasted each other, then as dusk crept deeper over the blurred formations, cut out and headed for their own lines.

As they passed each other at combined speeds of about 280 miles per hour, they let go a final parting shot from their pea shooters, a friendly salute till they could get a few assorted machine-guns anchored on the top cowling and go after this business of killing each other in a really serious manner.

The Lone Eagle, May 1936 by Eugene M. Frandzen
(The Story of The Cover Page)

THIS week we present another of Paul Bissell’s covers for Flying Aces! Bissell is mainly known for doing the covers of Flying Aces from 1931 through 1934 when C.B. Mayshark took over duties. For the October 1933 cover Bissell put us right in the action as a …

Yank Rookie Gets German Ace

IN THE early summer of ’18 the 95th Yank Squadron was having a busy time of it on the Front near Verdun. The long-promised Spads had not yet arrived, and they were still flying their old Nieuports to combat the new Albatrosses and Fokkers with which the Germans were filling the skies.

The squadron losses had not been unusual, but quite heavy enough so that replacements were constantly coming up. Often these were lads who had previously been with the French or English, and so had some actual combat experience. But sometimes there would be one who came fresh from the training centers, with only what experience he had received in “aerial combat” at those fields, and not enough of that.

As a general thing, these lads could be broken in gradually, the usual procedure being for the experienced pilots to take them over in formation, avoiding, if possible, a serious scrap, but allowing them to get accustomed to archie and the feel of being out—assisted to be sure, but on their own, where the stakes were life and death.

If a scrap was unavoidable, the new lads were told to stick close in their formation, or if the formation was broken, to pull out of the scrap entirely if the opportunity presented itself. However, things didn’t always work out 15,000 feet up as they were planned on the ground.

So it was with Lieutenant Walter Avery, who came up entirely without experience to join the 95th. He, like all other rookie aviators, without underestimating his job or the danger in it, was impatient to get at the enemy, and restlessly waited for his time to be taken over.

While waiting, he heard tales of the activities of the Boche squadrons in this sector, especially of an ace named Menckeff, who flew a red Albatross with the tips of its lower wings painted black.

This ace had thirty-eight official victories to his credit, and he and his men had been in many a spectacular dogfight with the Allied birdmen of this sector. Possibly at night Avery dreamed of that red ship with the black lower wing tips. Anyway, those markings must have stuck in his memory for—but that’s part of the story of Avery’s big day.

WITH the sun shining down blindingly from the vast blue dome above, seven German ships sped along over the big white clouds below them. High up there, everything was so quiet, so beautiful and peaceful, that it was almost incredible that the veil of smoke seen drifting across the landscape far below was really the shroud of hundreds who at that instant were dying—a sacrifice to the gods of war.

So, indeed, it was impossible to believe that these ships flying swiftly and easily, beautiful in the sunlight, their red wings flashing, were in reality a squadron of death, mercilessly searching for their victims.

Far below, coming from behind a cloud, five tiny specks had appeared, almost invisible against the shell-torn earth still miles beneath them. The quick eyes of the Boche leader had observed them, however, and already his wings were wagging their signal to his comrades. The red, blue and white circles on the lower planes showed them to be Americans. It was the 95th, and Lieutenant Avery was being taken over for the first time.

He had already come through his first tryout with archie, and had marveled at the apparent unconcern of the older pilots when puffs of smoke had appeared all around them as if by magic, and their ships had been bumped around as if by the hand of the magician himself. The flight had shifted course suddenly, and at certain definite intervals, but that was all, and soon the smoke puffs had ceased.

But now it was different. The flight leader had banked up sharply, at the same time giving a quick signal. Avery, looking over his shoulder, saw seemingly countless red ships, their guns blazing, diving straight down on him, and he knew that this was one scrap not as per ground instructions.

Just what happened during the next few moments will always remain a confused mass of memories to the young airman. He tried to remember his warning to stay in formation, but there seemed to be no formation left. He had escaped the first driving onslaught and was now just one of twelve twisting and dodging planes. So far he had not even used his machine gun. There had seemed nothing to shoot at—just flashes of color that passed him before he had opportunity even to determine what they were.

Then some bullets, spattering close to his cockpit, brought him abruptly out of his confusion. His senses cleared. All his training came back suddenly. He threw his ship into a screaming vrille and came out with a red ship square in front of him. Automatically his fingers squeezed the trips, and for the first time he felt the thrill of actual combat. His aim was high. He saw his tracers pass over the top wing of the other ship.

The German was busy on the tail of one of the other Americans and had not noticed Avery. A yank of Avery’s stick brought the whole enemy ship more into line. Then for the first time his eyes caught something that sent his heart into his mouth. The red Albatross had black lower wing tips.

Carefully he sighted, aiming at the nose of the Albatross so that the German would have to pass through the line of fire. Once again his guns throbbed, and this time his aim was true. The German plane shot up in a tight loop like an animal stung unawares, but at the top, his motor sputtered and he dropped off to one side. Right behind him went Avery, his guns blazing, the bullets ripping the sides of the diving Albatross.

It was soon over. They had drifted too far over the Allied lines for the Boche to make the German side; so, with motor gone, unable to fight, and himself wounded, he threw up his hands in surrender. The scrap was over, and Avery headed back for the airdrome.

His squadron mates had seen the newcomer get his German, but it was not until the prisoner had been brought in that Avery was sure his eyes had not deceived him. And not until then did his comrades realize that the young American lieutenant had on his first flight over the lines brought down the famous German ace, Menckoff—a record we believe unique in the annals of the war.

“Yank Rookie Gets German Ace”
Flying Aces, October 1933 by Paul J. Bissell

THIS May we are once again celebrating the genius that is C.B. Mayshark! Mayshark took over the covers duties on Flying Aces from Paul Bissell with the December 1934 issue and would continue to provide covers for the next year and a half until the June 1936 issue. While Bissell’s covers were frequently depictions of great moments in combat aviation from the Great War, Mayshark’s covers were often depictions of future aviation battles and planes. April 1935’s thrilling story behind its cover features an Attack on San Fancisco!

Attack on San Francisco

FROM across the Pacific a harmless-looking tramp steamer is churning its way to a point within five hundred miles of San Francisco. There is nothing about her appearance to arouse the slightest suspicions on the part of anyone. She is just like a thousand other tramp steamers—black and smoky and clumsy-looking.

As the ship nears the California coast line, it heads into the wind and drops anchor. Activity on deck is apparent as huge hatches are removed and the swinging arm of a derrick is brought into play. Terse orders are barked out, and obeyed with smart promptness. Military procedure appears to be the keynote of all operations—a thing unusual in a tramp steamer’s crew.

An observer, if he had the good fortune to watch the activity unseen, would by this time begin to doubt the steamer’s appearance. As a matter of fact, he could not help suspecting a warlike objective. Tramp steamers do not stop five hundred miles off San Francisco for the fun of it.

In San Francisco Bay, a batch of United States destroyers and cruisers are weighing anchor, preparatory to steaming out of the harbor and joining the rest of the fleet for operations off Catalina Island. The smooth lines of the fighting craft are set off in sharp relief against the blue hills of the Tamalpais range. Unlike other mechanical devices, they add immeasurably to the natural beauty of the surroundings, and as they slowly get under way, they remind one of a giant cat carefully threading its way through leaves and branches, only to bound into action with a roar as its prey is hopelessly pinned beneath it.

One by one, Uncle Sam’s ships steam up the bay, through the Golden Gate and out into the broad Pacific. As they pass the hundreds of workers busily employed on the construction of the new Golden Gate Bridge, a spontaneous cheer floats across the still air from riveters and engineers alike. With a sense of proud security, the bridge workers drop their tools to gaze intently on each vessel as it passes beneath them. There is something awe-inspiring about the United States Navy, and it makes the men on the steel towers reflect upon the possibility of foreign invasion. Each Navy ship seems like such a mountain of strength and durability that an offensive move against our coastline by anyone would most assuredly lose. However, torpedoes that find their mark are seldom ineffective.

By this time, the tramp steamer has completed its work. Two Kawasaki two-seater torpedo planes are well on their way to San Francisco, and as they flash up over the horizon, their pilots see that they must hurry. Almost half of the destroyers and cruisers are already clear of the Golden Gate channel. The rest must remain inside.

As the two airplanes draw near, a cry of fear rings out. The bridge workers realize that this is not a friendly air visit. The torpedoes hung between the wheels of each plane give cause for grave doubt, and all operations on the Golden Gate span stop as the men scramble to places of safety.

But what is this roaring out from the mainland? Two Navy planes to the rescue! The approach of the two foreign torpedo ships has been observed from a land station and, taking no chances, the C.O. has sent a couple of Vought landplanes into the air.

The pilots of the Navy planes, of course, figure the move a useless one. Nobody would torpedo United States cruisers or destroyers out of a clear blue sky, when there is no apparent motive, they think. Doubtless, the Navy pilots are unaware of a recent diplomatic breach between the United States and a certain Eastern power. They are unaware of the fact that a certain power considers itself Uncle Sam’s equal and is out to prove it. Most of all, they don’t know that a whole fleet is at that very moment charging across the Pacific, intent upon taking swift advantage of the preliminary work to be done by the torpedo planes.

The object being pursued by the invading power is simply this. As the fleet, or part of it, is departing from San Francisco Bay, one or more ships are to be torpedoed and sunk directly in the Golden Gate Channel, thereby making it impossible for the remainder of the craft to accomplish their scheduled departure. In this way, the attacking warships would be left more or less free to proceed with the bombardment of San Francisco and the near-by coast-line cities, thereby paving the way for the actual landing of troops. Of course, failure to bottle up the fleet in the bay would mean failure at the very start of the enterprise.

In the particular instance, some of the Navy fighting craft have already made their safe departure through the Golden Gate, but there are still numbers of ships which theoretically could be locked inside. Besides the ships that are in the clear, the rest of the fleet is still somewhere off the coast of southern California. These combined forces might possibly fight off the attacking navy, but that is doubtful.

The only course left open, then, is defense by air. Naturally, the attacking forces are well equipped with aircraft carriers and launching apparatus on all battleships. Quite possibly the combined strength of the Pacific Coast Army and Navy Air Forces might turn the tables completely and force the invaders into confused retreat. The whole affair would be a huge air battle, with both sides sending hundreds of planes into the air. If the invaders should win, California would be doomed. If Uncle Sam’s ships came out victorious, the outcome even then would be problematical.

But to get back to the two torpedo planes bearing down on the Golden Gate. Will they accomplish their purpose and block off San Francisco Bay? Or will the Corsairs send them charging into the water?

No one can say what would be the outcome of such a venture, but this much we do know. Judging from the recent better understanding which has been accomplished between most of the nations of the world, and from the bitter lessons which we all learned in the last great war, we have good reason to assume the belief that no nation would care to or have reason to attempt a wholesale invasion such as the one fictitiously described here. We earnestly hope this to be the case, and we pin our hopes on the strength of the United States Army and Navy Air Forces.

Flying Aces, April 1935 by C.B. Mayshark
Attack on San Francisco: Thrilling Story Behind This Month’s Cover

THIS May we are once again celebrating the genius that is C.B. Mayshark! Mayshark took over the covers duties on Flying Aces from Paul Bissell with the December 1934 issue and would continue to provide covers for the next year and a half until the June 1936 issue. While Bissell’s covers were frequently depictions of great moments in combat aviation from the Great War, Mayshark’s covers were often depictions of future aviation battles and planes. March 1935’s thrilling story behind its cover features Martin Bombers vs. Armed Transports!

Martin Bombers vs. Armed Transports

NEW YORK, the metropolis of the nation, threatened with complete ruin! An unknown foe striking from the mist-shrouded deeps of the North Atlantic on wings of treachery, with all the speed of light and the blasting power of lightning! High-speed bombers converted in a few hours from peaceful commercial craft, loaded with high explosive and bristling with machine guns!

A wild fantasy? Impossible? But not so! Already it has been proved that several well-known commercial types used by many countries are so constructed that within a few hours they may be turned into grim war craft.

Any day, the great city of New York might be shining in the sunlight of a Spring morning to realize suddenly that within an hour the sunshine was to be blotted out by clouds of poison gas, billowing waves of screen smoke and the acrid fumes of high-explosive flame. Great buildings might be blasted from their bases, to topple with the thunder of Thor down into the cavernous streets of the city, wiping out hundreds of lives and spreading destruction in their crunching wake. Death and disease would stalk through the ruins and blot out thousands. Famine, waste and thirst would follow the concussion as these aerial monsters screened behind peaceful commercial insignia swooped down and struck the first blow of an unexpected war.

But their mission might be detected by the roving Coast Guardsmen, and great Martin bombers would sweep into the sky to intercept them. The Junkers Ju. 60 depicted on this month’s cover is a typical ship on which this conversion job could be attempted. And remember, Germany is not the only foreign power that uses this type of commercial craft. The Junkers ships are manufactured under license all over the world, so the Ju. 60 could be the vanguard of attack from any one of several foreign countries.

The Ju. 60 is classified as an express monoplane. It will accommodate eight persons, a more than adequate number for a bombing crew. The only visible changes in the ship are the gunner’s door in the roof, the bomb equipment, including racks and bombs under the wings, and the machine guns protruding from the side windows. Of course, other minor changes would be necessary within the fuselage.

Perhaps the most interesting feature of this ship is its power plant. The engine is a B.M.W. Hornet, and it is built in Germany under license from the Pratt & Whitney Co. of Hartford, Conn. Its design is absolutely identical with the Hornet series A of the licensor. The Hornet is a nine-cylinder, air-cooled radial engine on detachable engine mounting, and it is capable of 600 horsepower. A three-bladed metal air screw is used.

The ship can attain a speed of 175 miles per hour and has a range of 683 miles. Undoubtedly, however, this range would be greatly increased when the bomber conversion job was completed.

The Martin bomber has received a great deal of publicity, which it has rightfully deserved. The performance of the Martins that made the Alaska trip last summer was indeed enviable. It is the general consensus of opinion that the Martin bombers of the YB series are the fastest and the most efficient ships of their type in the world. These ships do better than 200 miles per hour, and they are so maneuverable that they can be used as pursuit or attack planes in case of emergency.

Presuming that the United States is attacked by an unknown foreign power with an air arm that incorporates a number of these converted commercial ships, let us see what would be the result of an air battle between a Junkers and a modern Martin. We must, of course, take the fictional attitude that a fleet of these Junkers has been catapulted from a giant launching gear, or from the hurriedly converted flight deck of a long tanker, for a secret raid on some important military point on the mainland.

In the matter of a ship-to-ship conflict—that is to say, an equal number of Martins against a formation of Junkers—we must consider the duties of each ship. The Martins are on the defensive, purely and simply, while the raiding Junkers have the problem of making their bombing attack and defending themselves at the same time. After all that is over, they must get back to their surface base.

So far, so good. The Junkers have almost reached the mainland when their move has been spotted and the defending squadrons are sent aloft. If, for instance, as is the case, they have decided on a raid on New York City, they would first have to brave the anti-aircraft fire from any of the several forts in the mouth of the Hudson. This, in itself, is no easy task, and several would probably, on the law of war averages, go down or fail to gain their objective.

The rest would have to make their way through a winged wall of 200-mile-an-hour Martins armed with high speed and high-calibre guns. The Junkers, gorged with heavy bombs, would not get up to their best speed, and all battle tactics would have to be thrown aside in their dash for their targets. The Martins, on the other hand, unhampered by pre-arranged plans, would have the benefit of freedom of action under a general leadership of a squadron leader in a flag-plane. While the Junkers ships plunged on, dead for their objective, depending mainly on their gunners, the Martins would be able to form angle attacks to harass the visitors.

Now, it is not exactly true that the fastest ship always wins a fight, especially where defensive ships try to intercept bombing machines. The last year of the World War proved that, and we shall have to accept the fact that in this great defense, many Martins would be destroyed. However, with the gunnery of the modern bomber-fighter, the air battle would become something of a mid-air battle-cruiser engagement in which speed, careful maneuvering and gunnery would win.

In this case, then, the slower Junkers bombers, confined to a direct line of flight—at least, until they have reached and bombed their objective—would be on the short end of the battle, for the speedy Martins would be able to use all their, fighting tactics. The gunnery must be considered on modern figures. No country in the world today is believed to have the aerial weapons that the United States boasts.

Therefore, the Junkers would come under another bitter blow. While the enemy got in the first thrust by surprise in the use of a converted transport ship, the side with equipment especially designed for defensive work would win in the end. The attacking party always loses more than the defending—an old war axiom—but in doing so, it actually accomplishes its end or goal.

Thus, on facts and figures, the Martin bomber should always be able to outdo the converted commercial ship.

Flying Aces, March 1935 by C.B. Mayshark
Martin Bombers vs. Armed Transports: Thrilling Story Behind This Month’s Cover

THIS May we are once again celebrating the genius that is C.B. Mayshark! Mayshark took over the covers duties on Flying Aces from Paul Bissell with the December 1934 issue and would continue to provide covers for the next year and a half until the June 1936 issue. While Bissell’s covers were frequently depictions of great moments in combat aviation from the Great War, Mayshark’s covers were often depictions of future aviation battles and planes—Case in point, for three issues, starting with the December 1934 issue, Mayshark depicted Air Battles of the future! For the third and final future cover on the February 1935 issue Mayshark gives us the Troop Ship of the Skies!

Air Battles of the Future: Troop Ship of the Skies

WAR in the air! What would it mean in the future?

Armadas of fighting ships in grim formations, thundering into attack at terrific speed? Darting scouts bristling with guns directed from a ground base? Giant dreadnaughts of the sky in battle formation, answering the commands of the Air Admiral as he paces the bridge of his battle-plane?

All this—and more! There is another side to the air war of the future. What the raiding cruisers and monitors of World War days were to the elements of attack, the new troop carrier would be to the future war in the air. A great flying boat, capable of transporting several hundred men, weapons, demolition devices and transport destruction equipment, could swoop down out of the skies from bases several thousand miles distant, and before ground troops could be brought up to lay down temporary lines of defense, these flying boats could be gone, after paralyzing whole sectors, battering important base points to bits and—what is more terrible—destroying the morale of the civilian population.

Let us picture a possible raid of this type—say five, perhaps ten years from now.

At the present rate of improvement in service equipment, we can easily picture a United States Navy patrol station leader faced with the astounding report that an unknown troop transport has been seen heading toward the eastern coast of the United States. The formality of the declaration of war leaves everyone concerned with the problem of learning who and why. But the orders state in crisp, terse sentences that the mysterious troop transport must be blocked off and prevented from making a landing on the mainland.

A Captain Sully and a Lieutenant Stevens, crack contact men of the Twentieth Squadron, are shown the message and ordered off to do the intercepter job. Unfortunately, their equipment is nothing more up-to-date than the Curtiss Goshawk, a fine ship in 1934, but hardly an intercepter in 193—. Still, there’s a job to do, and Sully and Stevens take it on. The former, a soldier to his stubby fingertips, realizes the seriousness of the situation. The latter, still in the prime of youth, regards it a great joke and, probably, the nightmare of some sleepy-eyed transatlantic liner radio operator.

The trim but service-weary Goshawks are warmed up.

Once in the air, Captain Sully turned his thoughts to the mysterious orders he has in his pocket. Troop transports are ordinary things. Every country’s air force has them—has had them for years, but machines under this classification have never been regarded as particularly effective because of restrictions in accommodation of personnel and equipment.

The Navy pilots have been speeding close to the water for only a few minutes when what they thought was somebody’s bad dream turns into stark realism. Thundering along close to the water at a good rate of speed, a giant flying boat comes into view from out of a cloudless horizon.

With a gasp, Sully jams his foot down on the rudder control, and the fighter lurches to the left. With Stevens close behind him, the Navy pilot darts out of firing range of the huge transport. After banking around and flying along parallel with the mysterious air monster. Captain Sully has time to make a more comprehensive inspection of the ship.

Between two wings which have a slight degree of dihedral, there are seven motor nacelles, all set in the same plane. Each nacelle carries two motors—one driving a tractor and the other a pusher air-screw. There are a total of fourteen engines, the aggregate energy of which is fourteen thousand horsepower.

Each motor nacelle is supported by a main strut and also by two smaller struts which connect with the trailing edge spars. These smaller struts take up the forward thrust, which is generated to a very marked degree when two thousand horsepower is unleashed. The engines are cooled by means of a special liquid cooling agency, air cooling being impractical when engines are set in tandem. Cantilever construction is employed in the wings, the ribs and spars being built entirely of a light-weight composition metal.

The hull of the ship is connected with the lower wing, through which an extension of the hull passes. The center motor nacelle is built upon this extension. The control cabin is located forward of the leading edge of the lower plane, where the best possible line of vision is obtained, and from where most of the ship can be viewed. This facilitates immediate action in case anything goes wrong with the controls, motors, or anything else important to the flight of the ship.

The hull of the ship is divided into three sections, the central section being large and the other two small. In the central section there are accommodations for 275 men. All their equipment, including rifles, pistols, ammunition, blankets, gas masks, and extra clothing, is carried in the forward compartment, each man’s supplies being stowed in a separate closet. The galley and various other stowage compartments are located in the aft section of the hull. Gasoline and oil tanks, as well as extra motor parts, are also carried in this section. Minor motor difficulties can be repaired in flight by means of a catwalk which connects the motor nacelles. Space is provided in the two outboard pontoons for auxiliary gasoline tanks.

It is safe to assume that any invading nation would not send a transport full of buck privates into the United States, because even 275 armed soldiers are not likely to be particularly effective unless placed where they can make a certain type of raid on a weakly defended point. Instead, this transport is probably loaded with experts in bridge and railroad demolition. It would carry highly trained machine-gun and light field-gun crews who would scatter for a certain distance and throw up a defending ring of steel and fire to cover the workings of the experts. These, in turn, would no doubt destroy first the transatlantic cable stations, high-power radio towers, important bridge and railroad junctions. There is a possibility that they would head for one of the great ammunition plants on the New Jersey coast or the noted weapon works near Bridgeport.

But what of Sully and Stevens?

By this time, they have hurled their fighters into action. Their wires scream, and they pound down with an angled fire from their 30-caliber guns. The gunners aboard the transport ship reply with heavy-caliber fire, and the Goshawks tremble under the pounding spray. Guns appear in the port and starboard turrets aft of the wings.

Sully gives a signal and they both switch in their 50-caliber guns, hoping that the high-pressure stuff will batter into a vulnerable spot and at least head the raider off. The fire continues, but the troop-carrier goes on, while her gunners harass the defending Goshawks.

The Goshawks stagger and falter. At last, there is an ominous rattle in the ammo cans—and their fight is over. They have no more cartridges, no more fight. They surge down once more in a screeching dive, full into the flaming guns of the raiders. It is an ineffectual gesture, but they have nothing left to do.

The grim troop-carrier hurtles on, and the two gallant American airmen are left helpless. They have given their best with what they had to use. Is the enemy to score because of better equipment, or will our services be up to par if the time ever comes? We have the men and the guns. Can we get them into action and ward off any threats that may darken our shores?

The troop-carrier roars away into the mist that shields the mainland. Where? What is its objective?

The two battered Goshawks return to their base, frustrated but not beaten. They know the troop-carrier will have to return, and they hope to have something in hand to send it on its way. If this situation ever arises, will we have the air defense to cope with it?

Flying Aces, February 1935 by C.B. Mayshark
Air Battles of the Future: Troop Ship of the Skies

THIS May we are once again celebrating the genius that is C.B. Mayshark! Mayshark took over the covers duties on Flying Aces from Paul Bissell with the December 1934 issue and would continue to provide covers for the next year and a half until the June 1936 issue. While Bissell’s covers were frequently depictions of great moments in combat aviation from the Great War, Mayshark’s covers were often depictions of future aviation battles and planes—Case in point, for three issues, starting with the December 1934 issue, Mayshark depicted Air Battles of the future! For the January 1935 issue Mayshark gives us an Attack from the Stratosphere!

Air Battles of the Future: Attack from the Stratosphere

DEATH and destruction from the skies! Raids on the United States mainland by an unknown
foe!

Impossible? That’s what the armchair soldiers say. They see only attack in the form of surface vessels that may try to sneak through the natural defenses. A few with a broader scope of view admit that a few airplanes could take off from a carrier outside New York or Washington. But of course, they say, these planes would be stopped once they got inside the range area of the defensive microphones.

But there is a deadlier air weapon than the ordinary bomber or fighting plane. Let’s paint the picture.

Fifty thousand feet above the Gulf Coast, the sunshine is trickling through the clouds in straight lines, bringing life to the farmers and fishermen and merchants on the land and water below. But suddenly something else, mysterious and ominous, is trickling down through the clouds—in straight lines, also. Bombs! And instead of bringing life, they are bringing death and destruction to the people below.

With a shriek, they hurtle into view beneath the lowest strata of clouds, but no mortal force can stop them now. When these bombs hit, dirt, sunshine, and men alike are driven into oblivion, and hysteria and a ghostly fear follow in their deadly wake.

Frantic telephone calls stream out over the wires, and presently the C.O. at Maxwell Field, Montgomery, Alabama, is speaking. Are there any fast two-seaters available? Certainly! Several Curtiss Shrikes have just been sent down from Buffalo. Can they be prepared for action and flown to the coast immediately? Yes, immediately. That is all. Within five minutes three Shrikes rip into the air and head south, and on the grim faces of their pilots and observers is a look of courage and determination.

What are the machines that have been given this assignment?

The Shrikes are considered among the greatest attack ships in the world, and have provided a new design for many other countries to copy. The ship is manufactured by the Curtiss Aeroplane and Motor Company at Buffalo. It is a low-wing, wire-braced machine, carrying a pilot and an observer. The model shown on the cover is the Conqueror-powered job, listed as the A-8. The motor is chemically cooled, and rated at 600 horsepower.

Probably the most interesting feature of this ship is the armament, for it has been stated that it is equal in gun fire to a regiment of infantry. The observer is provided with two high-speed Browning guns. The pilot has the control buttons of four high-calibre guns in his cockpit. These weapons are hidden in the upper portion of the landing wheel cowlings, while in some models an additional high-calibre gun is mounted in the starboard wing root.

On actual attack work, the Shrike carries a special 500-lb. fragmentation bomb hung between the wheels. This is for offensive work against troops, ground activity and transportation.

Some one back at Maxwell has hinted that the attack is being made by a stratosphere machine of some sort. Every pilot is pondering on that statement. They circle over the area pin-pointed for them until they reach 25,000 feet, the ceiling of the new attack ships. They have taken to the oxygen masks 5,000 feet below this sky lane, and still catch no sight of the raider. Where—and what—is the menace from above?

The stratosphere ship which eludes the Army two-seaters so easily embodies principles of construction which are being employed at the present time in several countries.

There are two details of design in the stratosphere ship which might be alluded to as radical departures from conventional airplane construction. The first to note is the unusual depth to which the undercarriage is slung. The sole purpose of this is to allow an unobstructed radius for the long blades of the propeller when the ship is on the ground. The long-bladed air screw is used because a greater propeller beat is required in the thin air of the stratosphere.

The second feature to note is the comparatively large control surfaces, used because of the low resistance offered by the high-altitude atmosphere. The control surfaces of an ordinary airplane, if it could reach the stratosphere, would be of practically no avail.

The control cabin is absolutely air-tight, thus maintaining a pressure that is equivalent to that of sea level. Oxygen tanks are carried to insure a fresh supply of air at all times. The power plant is a twelve-cylinder, opposed, water-cooled engine, fitted with a super-charger. Difficulty is encountered in cooling an engine at high altitudes. Therefore, the radiators are located outside the metal hull.

The water radiator is on top, and is set in a longitudinal line so as to offer the least resistance. As water circulates through this radiator, it is cooled instantly upon contacting the extremely cold air to be found at great heights. The oil cooling is also accomplished by means of a radiator mounted outside the hull. Swung between the main struts of the undercarriage, this radiator is built so that the broadest surface is facing forward. Resistance offered is practically negligible, however, because of the small overall dimensions. All bombs are carried inside the hull, a trap being opened to emit them.

As the Shrikes speed along at 193 miles an hour to meet this monster, the Army pilots and observers scan the skies with searching eyes. If they must fight a stratosphere ship, they certainly cannot fight it in the stratosphere. With difficulty they can get a few thousand feet higher—but no more. Well, perhaps this strange demon of the air will eventually come down to get observations and pictures. Then they will have their chance.

The Shrikes continue along the coastline for perhaps twenty minutes in a westerly direction toward Mobile—and suddenly the stratosphere ship appears. Tearing down through the clouds at a terrific rate of speed, a long, blue low-wing monoplane seems about to crash into the Army two-seaters. With the speed of a darting snake, the leading Shrike banks to the right, and the observer fires the first shots. But to no avail!

The stratosphere ship has now pulled around and is beginning to climb, with the two-seaters frantically trying to reach it. Suddenly a gun tunnel is lowered from beneath the fuselage of the stratosphere ship, and as it belches tracer, the Shrikes are dispersed like leaves before an autumn wind. As they reassemble, they make one last desperate attempt to reach their adversary—but the height is too great.

What is the answer to this threat? Will it be an armored lighter-than-air ship, or will the anti-aircraft men develop a gun and range-finding equipment to stop it?

Our guess is that we shall have to fight fire with fire, and build stratosphere fighters.

Flying Aces, January 1935 by C.B. Mayshark
Air Battles of the Future: Attack from the Stratosphere

THIS May we are once again celebrating the genius that is C.B. Mayshark! Mayshark took over the covers duties on Flying Aces from Paul Bissell with the December 1934 issue and would continue to provide covers for the next year and a half until the June 1936 issue. While Bissell’s covers were frequently depictions of great moments in combat aviation from the Great War, Mayshark’s covers were often depictions of future aviation battles and planes—Case in point, for three issues, starting with the December 1934 issue, Mayshark depicted Air Battles of the future! For the December 1934 issue Mayshark gives us The Rocket Raider!

Air Battles of the Future: The Rocket Raider

THE future war in the air has the national defense experts puzzled as to what methods of attack may be used and what systems of defense may be required to maintain public security. In general, the aviation experts agree that few ships in modern use today would be able to withstand the onslaught of several air weapons that have already been devised and, in many cases, actually built and flown. These weapons include gas distributors, stratosphere ships, radio-controlled torpedo planes and various types of rocket-propelled machines.

Should any of these devices be brought into play today, it is evident that we have little with which to combat them. Take the case of the rocket ship, for instance. It is not a figment of the imagination, in any sense. Rocket ships and rocket automobiles have been built and actually flown or run. Rocket boats have been propelled successfully at high speed. A controlled rocket system is actually in operation in Europe, and plans are under way to deliver mail from the center of Germany to England next summer. How far away, then, is the military rocket ship? Possibly a year, possibly five.

But suppose that some foreign power has a rocket ship—a small fleet of them. If we believe facts and figures as shown, a large rocket ship, capable of carrying large bomb loads and heavy gun-power, could cross the Atlantic or the Pacific in about ten hours. Let us suppose, for instance, that such a ship or a fleet of ships were to attack the American mainland.

For one thing, this raid would not be discovered at once—probably not before the fleet was within one hundred miles of the coastline. Immediately, the General Staff would realize the seriousness of the situation. It might mean the destruction of government nerve centers. It might indicate terrible bombing, or the spreading of gas or disease germs. The knowledge of who the possible enemy was would give the first inkling of the points of attack. Naval bases might be threatened, and aircraft factories.

If big cities were to come in for the threat, it would mean death and destruction amid the civil population. Water supplies might be cut off, power and communication systems destroyed. But one of the most important points to be considered in a raid of this sort would be the grim element of blasting surprise and demoralization of morale among the civil population.

A scene prophetic of such a situation might be constructed on the air field of an Army Air Service squadron—let us say, along the Atlantic Coast. The sound-detectors have picked up a suspicious sound, a sound not quite like anything ever caught before. The detector-operator senses that this is no ordinary internal combustion engine, and at once his fears begin to gather, for he has been warned of possible raids by strange aircraft. What can this powerful engine threaten?

A fleet of Army Boeings is sent out to attempt to contact this ship. They are equipped with two-way radio sets, so they are sent out fanwise to cover as wide an area as possible and with orders to report the position of the on-rushing winged weapon.

The pilots—young, anxious, but a little skeptical about all this talk of strange foreign raiders of such monstrous proportions and ability—climb into their ships under the hasty commands of their field commandant.

As the pilot jams the gas into the 500-h.p. Wasp engine, the Boeing P-12E strains forward and is off the tarmac with a roar. Climbing in a spiral, the ship reaches six thousand feet in 3.5 minutes, levels off, and heads to the east. The pilot of the Boeing searches the skies before him and spots an object just above the horizon. Within the next minute, all his illusions about the possibilities of a rocket raid on the United States are gone.

Tearing down across the sky at a phenomenal rate of speed, there appears before the eyes of the Boeing pilot a long, black, perfectly streamlined hull supported in the air by stubby yellow wings. As the strange machine bursts into a better line of vision, the mechanical detail is easily distinguished. The rocket projection tubes are located near the aft end of the ship, and are placed so that the tail assembly will not interfere with the rocket bursts as they are emitted. On top of the rudder is a machine gun which fires in the direction that the rudder is set. The cartridge belt passes within the framework of the rudder down to the magazine, which is located in the tail of the hull. Two 37-mm. air cannons are carried in the wings. These guns are stationary, and they fire forward in the line of flight.

Other armament consists of a bullet-proof, glass-covered gun turret directly in front of the control cabin, and a fixed, steel-covered cannon turret above and to the rear of the control cabin. The ship is equipped with wheels and pontoons, both of which are retractable. Complete radio equipment is carried, including transmitter and receiver and a television screen. Except for the reserve tank, the rocket fuel is carried in ten individual containers, which feed directly to their respective rocket projection tubes. The carburetor and firing unit are located in the elbow of the tube, so that when the explosion occurs, the burst carries itself without friction with anything but air, past the tail and directly to the rear of the ship, thereby producing forward motion.

The crew consists of seven men, including the commanding officer, the pilot, the navigator, the radio operator, two gunners, and the engineer. The machine is covered with a lightweight composition sheet metal which is as strong as steel. The ship attains a speed of between 600 and 700 miles per hour, but the landing speed is relatively low, due to the fact that forward motion can be reduced simply by reversing the position of two of more of the rocket projection tubes, all of which are mounted on a swivel and can be turned to any point within 180 degrees.

Our pilot in the Boeing barely has time to collect his senses before the roaring rocket raider is all but upon him. As he kicks his trim little ship over in the air, he feels the impact of steel-jacketed bullets on his fuselage and realizes with anger that the gunner in the glass turret of the rocket demon is already firing on him! He pulls up and drops over into a half-roll in an attempt to maneuver out of the line of that deadly fire.

At last he is in the clear and, as he trains his wing guns upon the flashing hull of the rocket ship, he realizes that there are no visible vital spots at which to aim. All he can do is fire point blank and trust that he hits a control surface with damaging effect. During the few seconds that his enemy remains in his line of fire, he keeps his fingers on the trigger buttons, but the bullets bounce off the steel ship like hailstones off a tin roof.

In a vain attempt, our Boeing pilot dives down, firing at the tail of the giant ship. But suddenly he finds himself being racked by the terrific fire of his adversary’s rudder gun. Frantically he pulls his damaged ship over and slides into a slow spin. He lands a few moments later, scarcely able to explain what he has seen, owing to his excitement. But the rocket raider continues on to the west, unchecked. Where will it strike, and how will it be stopped? It will be coped with, there is certainly no doubt, but a much faster and more powerful ship than the Boeing P-12E will be required to bring it to its doom.

Flying Aces, December 1934 by C.B. Mayshark
Air Battles of the Future: The Rocket Raider

THIS week we present another of Paul Bissell’s covers for Flying Aces! Bissell is mainly known for doing the covers of Flying Aces from 1931 through 1934 when C.B. Mayshark took over duties. For the September 1933 cover Bissell put us right in the action as Lt’s Goettler and Bleckley try to get …

Aid to the Lost Battalion

THE Congressional Medal of Honor is the highest decoration the United States can bestow upon its military heroes. Only four airmen of the World War received it — Captain Edward V. Rickenbacker, Lieutenant Frank Luke, and Lieutenants Harold Ernest Goettler and Erwin R. Bleckley. The first two, both aces, are well known, and most people know that Congress so honored them, even if a bit tardily in Rickenbacker’s case. But few know of Goettler and Bleckley and the glorious story of how they gave their lives, going “above and beyond the call of duty in action with the enemy” in an effort to save some of their countrymen.

On October 2, 1918, the 77th Division in the Argonne sector was ordered to advance, with directions to reach their objective, regardless of cost. In this movement was included the Second Battalion of the 308th Infantry, under command of Major Charles Whittlesey. The advance was made late in the afternoon. At the end of hours of terrific hand-to-hand fighting the battalion had advanced to its objective, the old Charlevaux Mill, near Binarville.

The troops on both sides of them, however, had been unable to hold their positions. This allowed the Germans to filter in from both ends and completely surround the Americans. For the next five days, this battalion of about 550 men, without food, supplies or ammunition, with scant water, and subjected to the most terrific fire, dug themselves in as best they could and refused repeated demands of the Germans to surrender.

They held a narrow ravine, the general location of which was known to our headquarters, but the exact location and the conditions existing among these men was unknown, since repeated efforts from both the battalion and the main division to establish contact had been unsuccessful. It was, however, definitely known that some of the battalion were still alive, and so, on October 6th, an order came over the wires which snapped every airdrome on that front to instant alertness. “Locate the battalion and get it food and supplies at any cost.”

Every available ship of Squadron 50 was soon on the line. The powerful Liberty motors roared and the propellers bit into the heavy fog. This was no flying weather, but somewhere out there where the incessant bark of the big guns could be heard, were Americans surrounded and trapped by the enemy, suffering and dying, waiting for help from their comrades.

There was no small talk among the airmen. A dirty job lay ahead of them—a job that none of them wished for, yet none of them thought of shirking. The planes were loaded with iron rations—chocolate, bully beef, coffee, hard tack—bandages and official messages. Quietly the men climbed into their ships—an observer and pilot to each of the D.H.4s, and with Flight Commander Lieutenant Goettler leading, one after another the big planes took off into the mist.

An hour had passed when a ship came sliding out of the fog to a rough landing on the tarmac of Squadron 50. The mechanics rushed out, to find it was Goettler and Bleckley, his observer, returned from their search. The plane was riddled with bullet holes, and large pieces of fabric were missing from the fuselage.

The faces of the two airmen were grim. Goettler’s orders were curt. “Refuel the plane and put in another set of rations. Patch it up as best you can. We have found the Lost Battalion, and we’re going back in another fifteen minutes.”

THE mechanics did not know until later all the details of the first flight—of how the battalion had at last been located at “Charleyvoo” Mill—how the big D.H.4 had waded through a storm of fire from the ground to get in a position to drop the much needed rations to the entrapped doughboys; how, although the two airmen had gone as near the ground as they dared, the lines of the Germans were so close to the Americans that when they had dropped the rations and messages overboard, the Germans had come out and seized them. All of this the mechanics later learned from their squadron commander, to whom Goettler had given a brief account of his effort while the plane was being refuelled.

All they now saw were the two grim-faced youngsters gravely shake hands and climb into their respective cockpits, and, in a ship already shot half to pieces, take off to carry aid to their fighting comrades.

Only too well the two lads knew what lay ahead of them. After their first unsuccessful trip it was evident to both of them that there was but one chance for success—to wing down through the terrific hail of lead from the ground, so low that with their wing tips almost touching the torn tree trunks of what had once been a forest, they could with accuracy drop the supplies to the doughboys dug in below.

Yes, this was possible if they could live through the terrific barrage they would meet. Anyway, it was their one chance, and there was no hesitation on the part of the two lads as Goettler piloted his plane directly to Charlevaux Mill. Soon it was below them, a pile of gray ruins, and Bleckley pointed out to “Dad” Goettler a khaki-clad figure waving feebly to attract their attention.

The big plane nosed over, swinging down in a spiral. The fire from below was now appalling. Machine-gun bullets were riddling the plane, while the impact from high explosives at short range tossed the ship around almost like a small boat in a rough sea.

Completely oblivious to this terrific punishment, the two airmen concentrated their entire attention on the job to be done. Goettler piloted his plane skilfully, while Bleckley leaned far over the side, holding a bag of rations ready to drop at the right instant. The trees were not fifty feet below them when Goettler leveled off slightly. Then, banking up, he let his wing tip almost touch the hillside to give Bleckley a better chance in his work.

Below, the doughboys crouched behind what shelter they had made for themselves, looking anxiously upward, waiting for the food and ammunition that they needed so desperately. They saw Bleckley release the bag and then lean over the side to see if his aim had been true. But this time the two aviators were never to know, for at that moment, up from the ground, death, in the shape of leaden bullets, reached for them.

The nose of the big D.H. yanked up suddenly, then dropped as if the hand that held the control had suddenly lost its strength. There was a sickening instant as the plane slipped off on a wing, then crashed, burying her heavy nose deep in the hillside over near the German trenches.

The next day, in an irresistible advance, the 77th Division pushed the Germans back and reached the “Lost Battalion.” Only 107 of them were left; and on the hillside were the remains of the D.H.4. Goettler had apparently been killed instantly, and Bleckley, hopelessly wounded, died before reaching a hospital. But their deed will live forever.

“Aid to the Lost Battalion”
Flying Aces, September 1933 by Paul J. Bissell

THIS week we present another of Paul Bissell’s covers for Flying Aces! Bissell is mainly known for doing the covers of Flying Aces from 1931 through 1934 when C.B. Mayshark took over duties. For the August 1933 cover Bissell put us right in the action with…

The Youngest V.C. Flyer

SOME wise man has said that to every man, once in life, comes his big moment. Then he must make a quick decision or choice and, whether he be king or peasant, the real man is judged by how he meets this test.

Such a moment came to Alan McLeod, the young Canadian flyer. Always he was in the thick of it, eagerly taking chances, thumbing his nose at death until that day in March, 1918, when he came face to face with his big moment, made his choice and, himself wounded, gambled his life a thousand times over to save a comrade already wounded almost past saving—gambled and won, and took his place among the “Incredibles” of the World War.

McLeod was just fifteen years old when the war began. Twice rejected because of his youth, he enlisted on his eighteenth birthday, in April, 1917. By July he had qualified as a pilot, and by September he was in England. When his squadron, the 82nd, was ordered to the Front, his Commanding Officer refused to take him along—again on account of his youth.

However, on Home Defense in England with the 51st, during a bitter duel with a Gotha over London, he displayed such heroism, although shot down, that Headquarters posted him to France with the 2nd Squadron, in November, 1917. This squadron boasted no fast pursuit ships, but was engaged principally in observation, bombing, and artillery spotting, and flew the Armstrong-Whitworth, a good ship for these purposes, but slow.

It was with this ship that McLeod went “a-hunting” beyond and outside of his daily routine, strafing the trenches, attacking troops in movement, machine-gun emplacements and batteries. No one had ever thought to attack a sausage in one of the old crates. Nevertheless McLeod coolly destroyed a German balloon and then, when attacked by a flight of Albatross pursuit planes, shot one of them down and held the others off, returning safely to his airdrome. Soon none but the most daring observers would fly with him, but there were always enough of these so that he did not lack for companions. Besides, he always brought them back—and how!

The morning of March 22, 1918, seemed to McLeod much like any other day. With Lieutenant A.W. Hammond in the observer’s cockpit, he had started out on a patrol to Bray sur Somme. He got lost in the heavy, low clouds but, at last finding a hole, he had dropped down to let his bombs go when a Fokker tripe rode his tail down from the same clouds. A half-roll saved him from the Fokker’s burst, and a zoom put Hammond in position to prevent that particular German from ever firing another burst.

But seven other tripes had come down after their leader and were now bent on revenge. Like red hawks they darted around the two Canadians, raking them with machine-gun fire from every direction until one, more daring than the others, dived in from the front.

McLeod beat him to the shot and Fokker No. 2 joined his leader far below. At that instant, however, McLeod felt his first bullet. One of the tripes, attacking from below, had put a full burst into the British machine. Hammond was hit twice, and the entire bottom of his cockpit collapsed. Then the gas tank burst into flames. The Armstrong-Whitworth plunged down, out of control, with McLeod dazed in the front seat, and Hammond clinging desperately to the rim of what had been his cockpit.

THE flames licked up, burning McLeod back to consciousness. To stay in the front seat was no longer possible. McLeod stepped out on the wing, reaching back into the burning cockpit for the controls and sideslipping the plane so that the flames were blown away from Hammond. Although two more bullets had found him by now, he succeeded in keeping the ship in fair control and getting rid of his bombs. The Germans were following the helpless Canadians down, pouring burst after burst into them.

Hammond now had three bullets in his body, while one arm hung limp. Almost unconscious, with his feet braced against the sides of the fuselage to keep from falling through the bottomless cockpit, he still had strength enough for one last burst at the Boche. Almost point-blank he emptied his drum into the nearest tripe. A burst of smoke and screaming wires told that Fokker No. 3 had joined the other two victims, crashing below almost at the same instant that McLeod, leveling off his blazing ship as best he could, piled up in No-Man’s-Land.

The crash threw them both clear of the wreckage, about ten yards apart in the middle of No-Man’s-Land, three hundred yards from the British trenches. For an instant they lay there, unconscious, but the Germans were already sniping at them and McLeod, who lay in a more exposed position, was roused to consciousness by a bullet nipping his leg. Rolling into a shallow hole, his senses returned, and with them came his “big moment.”

To stay where he was was impossible. The whole area was too much exposed. He must make the trenches. But outside lay Hammond, wounded, perhaps dead. Should he leave him and try for the trenches alone? In another instant he was out of the hole and at Hammond’s side. The poor observer was alive but completely unconscious, with six wounds.

How McLeod dragged and carried Hammond those three hundred yards he himself never knew. But the Tommies in the trenches saw him coming. They watched him as, inch by inch, he dragged himself and his observer across the torn earth, with the enemy raking him with bullets. They watched and helped all they could by laying down a deadly fire on the German trenches.

With just six yards to go, another bullet got McLeod, and the Tommies went over the top and dragged the two unconscious flyers in, still breathing—but not much more. All day they lay in those exposed trenches without medical aid. But the gods must have smiled, for they both got well eventually—Hammond to get a D.S.O., and McLeod the V.C.

“The Youngest V.C. Flyer”
Flying Aces, August 1933 by Paul J. Bissell

THIS week we present another of Paul Bissell’s covers for Flying Aces! Bissell is mainly known for doing the covers of Flying Aces from 1931 through 1934 when C.B. Mayshark took over duties. For the January 1933 cover Bissell put us right in the action with

The Invulnerable Dormé

“AND, Adjutant, get that request of transfer off to headquarters today, s’il vous plait?”

“Certainement, mon Capitaine, but why so vite? There is not an aviator in all France who does not desire to be one of Les Cigognes. So with all the aviators to choose from, why do you ask for Dormé? He has had but little experience in le Chasse.”

“Mon ami,” said the captain affectionately, “when a lad stationed at Paris flies an old Caudron up so close to the Front that he runs into a German squadron of six planes, he shows himself an ambitious and aggressive aviator. But when he then attacks them single-handed, brings one of them down and puts the rest to flight, he shows he has the stuff we want in Squadron 3. Don’t let’s lose him.” And the captain’s tone left no room for further argument.

So, early in July, 1916, René Dormé came to Squadron 3, better known as the Flying Storks, from the insignia painted on the side of their ships. This squadron had been formed by Captain Brocard and was already well known at the Front. It was destined later to enjoy a fame greater, perhaps, than that of any other French flying unit, and Dormé was to play no small part in helping to earn that fame.

In fact, he had been with the squadron but a few weeks when it was very evident that he was, as the French said, “un pilot extraordinaire.” He was quiet and gracious in manner, and was soon affectionately dubbed “Père” by his comrades, not because of his age—he was only 21—but because of the esteem and affection in which they held him.

Though he became one of the nation’s heroes, he remained always modest and unassuming. Twenty-three official victories were finally credited to him, but this was by no means his complete score. He often fought alone, far in the enemy’s territory, and his comrades knew that he had gained many a victory which went unrecorded. Once when a superior officer mentioned this fact in front of Dormé, Père quietly replied, “But the Germans know, mon Capitaine, and that is all that really matters.”

Guynemer considered Dormé the greatest flyer of the war. The ability with which he maneuvered his little Nieuport was nothing short of miraculous. He helped develop air fighting tactics and is credited with being the first to make use of the great defensive stunt, the wing slip.

Battle after battle he would carry through to victory and emerge untouched. To the poilus he was known as “Dormé the Unpuncturable.” They said he could see the bullets and dodge between them. Certain it is that after his tenth victory his mechanics, going carefully over his plane, could not find one single bullet hole. Yet it was this ability to quickly maneuver which almost cost him his life, one morning in the summer of ’16.

JULY was almost over and Dormé was up early to bag himself a Boche to add to his record before the month’s end. He soon spotted a Fokker and swung around in a circle to prevent the black-crossed plane from turning back toward the German lines, at the same time tipping the nose of his little Nieuport up to gain altitude for the attack.

He reached his desired position, and with that quickness which marked all of his maneuvers in the air, swooped down in a power dive, his guns blazing. But here Fate took a hand to save the hapless German from Dormé’s deadly fire.

Completely absorbed in his maneuvers on the tail of the Fokker, Père had not noticed an Aviatic that had swung in from the left and been steadily creeping up under his tail. Evidently the pilot of this ship had just gotten himself in a position to fire on the unsuspecting Dormé when the Frenchman’s quick dive caught him so completely unawares that he was unable to twist his own ship out of the way and avoid a crash. The wheels of the little Nieuport struck the leading edge of the upper wing of the big Aviatic just where it joined the center section.

Luckily for Dormé, the Nieuport, ordinarily considered rather frail in its construction, this time proved the sturdier of the two planes. Though one wheel and part of the landing gear were crushed, a quick jerk of the stick on Dormé’s part yanked the little Nieuport out of danger while the Aviatic’s upper wing, broken at the midsection, swung away, carrying the lower wing with it, and the plane started in its mad dive earthward, the pilot finally jumping to avoid death by flames, the dread of all aviators.

Through the many months that followed, Dormé kept steadily gaining victories over the enemy. He ran neck and neck for many weeks in friendly rivalry with his fellow Cigogne, Captain Heurteaux, for the distinction of the premiere place of the squadron, until at last, when Heurteaux had gained a lead of a few victories, Dormé in a tremendous spurt shot down eight of the enemy in one short week and took a lead that he maintained until that day in May which was ever remembered as a black day for the Storks—the day when Dormé took off in the early morning light, never to be seen or heard from again.

For days the Cigognes kept secret the fact that he had failed to return, hoping against hope that Dormé would yet come back safely. It was more than a fortnight later when the Germans dropped a message on his field saying that Pilot Dormé had been killed in combat.

No data or particulars were given, and to this day there are thousands who refuse to believe that Dormé was brought down by the enemy. Père Dormé, the Beloved, the Unpuncturable, brought down by a German bullet? No! To the French this is unthinkable. But the fact remains that Dormé never came back.

“The Invulnerable Dormé”
Flying Aces, January 1933 by Paul J. Bissell

WE’RE back with Scott’s final Sky Devils cover! Scott painted covers for practically every genre of pulp—sports, western, detective, science fiction and aviation. Most notable of his aviation covers are the ones he did for Western Fiction Publishing’s Sky Devils, which only ran for seven issues. Scott was very adept at capturing people, so his aviation covers center on the pilots and gunners in the planes rather than the planes themselves for the most part. The issues contained no stories for these covers like other titles we’ve featured, but Scott’s magnificent work was just too good to not share! And besides, he captures the action so well, you can imagine the story that goes with the cover he’s painted.

The cover of the final issue of Sky Devils, the February 1940 issue, reused the painting Scott had done for the first issue back in 1938. Here is that final cover followed by how it was on the first issue!

Sky Devils, February 1940 by J.W. Scott

Sky Devils, March 1938 by J.W. Scott

Check out David Saunder’s page for J.W. Scott at his excellent Field Guide to Wild American Pulp Artists site for more great examples of Scott’s work!

WE’RE back with two more of Scott’s great covers! Scott painted covers for practically every genre of pulp—sports, western, detective, science fiction and aviation. Most notable of his aviation covers are the ones he did for Western Fiction Publishing’s Sky Devils, which only ran for seven issues. Scott was very adept at capturing people, so his aviation covers center on the pilots and gunners in the planes rather than the planes themselves for the most part. The issues contained no stories for these covers like other titles we’ve featured, but Scott’s magnificent work was just too good to not share! And besides, he captures the action so well, you can imagine the story that goes with the cover he’s painted.

Here are the next two covers Scott did for Sky Devils—the April and June 1939 issues!

Sky Devils, April 1939 by J.W. Scott

Sky Devils, June 1939 by J.W. Scott

Check out David Saunder’s page for J.W. Scott at his excellent Field Guide to Wild American Pulp Artists site for more great examples of Scott’s work. And check back in two weeks for Scott’s final cover for Sky Devils magazine!

WE’RE back with two more of Scott’s great covers! Scott painted covers for practically every genre of pulp—sports, western, detective, science fiction and aviation. Most notable of his aviation covers are the ones he did for Western Fiction Publishing’s Sky Devils, which only ran for seven issues. Scott was very adept at capturing people, so his aviation covers center on the pilots and gunners in the planes rather than the planes themselves for the most part. The issues contained no stories for these covers like other titles we’ve featured, but Scott’s magnificent work was just too good to not share! And besides, he captures the action so well, you can imagine the story that goes with the cover he’s painted.

Here are the next two covers Scott did for Sky Devils—the October 1938 and January 1939 issues!

Sky Devils, October 1938 by J.W. Scott

Sky Devils, January 1939 by J.W. Scott

Check out David Saunder’s page for J.W. Scott at his excellent Field Guide to Wild American Pulp Artists site for more great examples of Scott’s work. And check back in two weeks for two more of Scott’s covers for Sky Devils magazine!

HERE, at Age of Aces Books, we have featured a lot of great aviation covers by Frederick Blakeslee (Dare-Devil Aces, Battle Aces and Battle Birds), Eugene M. Frandzen (Sky Fighters and Lone Eagle), Paul Bissell (Flying Aces) and C.B. Mayshark (Flying Aces). You can add to that list J.W. Scott! Scott painted covers for practically every genre of pulp—sports, western, detective, science fiction and aviation. Most notable of his aviation covers are the ones he did for Western Fiction Publishing’s Sky Devils. The title only ran for seven issues. Scott was very adept at capturing people, so his aviation covers center on the pilots and gunners in the planes rather than the planes themselves for the most part. The issues contained no stories for these covers like other titles we’ve featured, but Scott’s magnificent work was just too good to not feature! And besides, he captures the action so well, you can imagine the story that goes with the cover he’s painted.

Here are his first two covers for Sky Devils—those for March and July 1938!

Sky Devils, March 1938 by J.W. Scott

Sky Devils, July 1938 by J.W. Scott

As a bonus, here is David Saunder’s biography of J.W. Scott from his extensive Field Guide to Wild American Pulp Artists website!

J. W. SCOTT
(1907-1987)

John Walter Scott, Jr. was born on December 1, 1907 in Camden, New Jersey. His father of the same name was a second generation immigrant from Scotland, and was a draftsman at the Camden Shipyard. His mother was Helen L. Scott, who was of Irish ancestry. They lived at 7 Wood Street, which was one block from the busy riverfront piers. He and his father were avid fishermen.

During the Great War his father rejoined the U.S.Army and attained the rank of Captain before dying in 1919.

His mother took a job at the La France Tapestry Mill in Philadelphia, and in 1923 at age fifteen, he left school and began to work at the same mill.

The mill operator offered free night school classes in various facets of mill work to his child laborers, including design at the La France Art Institute.

In 1930 he finished his art training and began to pursue a career in freelance illustration. He worked under the name “J.W. Scott” out of emulation for the well-known pulp artist “H.W. Scott” as well as to capitalize on any resultant confusion over his professional status.

In 1932 and age twenty-five, he moved to 390 First Avenue in New York City.

His first published pulp cover appeared on the July 9, 1932 issue of Street & Smith’s Wild West Weekly.

He sold freelance pulp covers to All Star Fiction, Best Western, Complete Western Book, Detective Short Stories, Future Fiction, Ka-Zar, Lone Eagle, Marvel Science Stories, Mystery Tales, Quick-Trigger Western, Real Sports, Star Detective, Star Sports, Top-Notch Western, Two-Gun Western, Western Fiction, Uncanny Tales, Western Novel and Short Stories.

By 1938 he joined an advertising agency and began to find work in slick magazines. He became friends with R.G. Harris and other New Rochelle illustrators. In the Fall he married Eleanor Snyder, a banker’s daughter and socialite, but the marriage only lasted one year. There were no children.

During WWII he served in U.S. Army Corps of Combat Engineers. His detailed field drawings were sent by his Lieutenant to the editors of YANK Magazine, and he was soon invited to work on their art staff. He eventually wrote several articles and was promoted to the editorial staff.

After the war Scott found slick magazine assignments with Coronet, Elks, This Week, and Woman’s Day.

In 1946 he married Flavia Bensing. She was also an artist, as well as the daughter of an artist, Frank C. Bensing. They moved to Ridgefield, Connecticut, where they raised two daughters.

In the 1950s he began to work for men’s adventure magazines, such as Argosy, True, and Sports Afield. He continued to produce illustrations for Sports Afield for almost two decades.

In the 1960s he was commissioned to paint several impressive murals for The Church of Latter Day Saints and The Petroleum Museum of Midland Texas.

In his final years Scott worked on easel paintings of the Old West.

According to the artist, “I paint the pictures I am interested in painting. Much of contemporary art is about people who think they are IN. The quickest way to lose yourself is to lose your individuality. The important thing is to be yourself and forget about being IN.”

John Scott died in the Danbury Hospital at the age of seventy-nine on October 20, 1987.

Check out David Saunder’s page for J.W. Scott at his excellent Field Guide to Wild American Pulp Artists site for more great examples of Scott’s work. And check back in two weeks for two more of Scott’s covers for Sky Devils magazine!