From the March 1934 issue of The Lone Eagle, it’s Terry Gilkison’s The Flying Devil in “The Death-Ray Tubes!”

Next Time: The Ghost Gotha!

Editor’s Note: We feel that this magazine has been exceedingly fortunate in securing Lt. Edward McCrae to conduct a technical department each month. It is Lt. Mcrae’s idea to tell us the underlying principles and facts concerning expressions and ideas of air-war terminology. Each month he will enlarge upon some particular statement in the stories of this magazine. Lt. MaCrae is qualified for this work, not only because he was a war pilot, but also because he is the editor of this fine magazine.

Aerial Photography

by Lt. Edward McCrae (Sky Fighters, March 1934)

NOW if you two sad-eyed rum-dums can hold your heads up long enough to listen, I want to smack you in the face with a question. No? Well, you’re gonna get the question anyway. Suppose you flew over some of the enemy’s territory yesterday and got acquainted with it till you could call it by its first name. And then you came along over the same ground today—I mean a mile or so over—and—stop interrupting—and today you saw a lot of trees that must have taken forty years to grow—and suppose those trees weren’t there yesterday?

What’s the Answer?

Well, you sleepy-eyed buzzards, to call you a polite name, you’d be seeing something that was mighty interesting to general headquarters. You’d probably fly over again Saturday afternoon and instead of seeing the trees you’d see nothing but a lot of shell holes.

The answer?

Aerial photography! One of the most important branches of the flying service.

Put a couple of ten-gallon funnels in your ears to let the wisdom run in to a place where there’s plenty of room for it, and I’ll tell you about a trip made by one of the war’s outstanding heroes, who must be nameless on account of his becoming modesty. We got orders from G.H.Q., which is the title of the brass hats hired to do nothing but think up crazy ideas to make flyers uncomfortable. They wanted photographs of what we will call sector D-7, because that was the way it was identified on the big maps. So naturally they called on me to do it.

I Get a Camera

I was playing stable boy and jockey to a Sopwith. The so-called experts from the photography shack brought me out a camera—open your eyes long enough to look at the picture in Figure 1, will you? Okay, go back to sleep. I fitted the camera into the conical—not comical—slot it goes into and we climbed to about seven thousand feet, not going any higher because the light was bad.

Now, the sector we wanted to catch had a road bisecting it. I had another pilot at the stick so I could operate the camera (because the brass hats wanted to be sure the pictures were good!) So I had told my pilot to start and follow the road to the end of the sector, then come back parallel to it on the left, then go forward to the left of that, and back again to the left of that. Just like a man plowing a field.

It’s Foolproof

The camera is claimed to be foolproof. Not that that mattered to me, understand. You’ve got eighteen plates stacked in a changing box over the shutter. You have a loading handle which you slide backward and forward and the first plate falls into position. When you get over the spot you’re ready to shoot you pull a string. You tell the spot by looking at the previous pictures that were taken of the same ground.

When the string is pulled you’ve got a picture of a big area over a mile below. You yank the loading handle and the camera ejects the exposed plate into a changing-box underneath and the number two plate falls into place in the camera. You keep up this simple operation until you’ve shot all your plates.

Did I say simple—you simpletons? You’ve got plenty to do and to worry about. You have to get your positions, figure out when the ship is flying dead level so you won’t shoot a picture off to the right or left, and you’ve got to figure out the proper intervals of time between shots, so you’ll cover all the territory. Open your eyes well and look at Figure 2 to see what the ground looks like.

And then another small item might be mentioned in passing. The antiaircraft guns. Those little darlings just dearly love to pop away at you as soon as you are over the German lines.

And here’s the fun in the game of “picture, picture, who’ll get the picture.” You can’t afford to dodge their cute little bursting shells because you have to take all your pictures in a straight line and from the same altitude or they will be worthless. You have to fly straight, count five, pull the string, jerk the reloading lever, count five, pull the string, jerk the reloading lever—and you keep repeating that until I tell you to stop.

Overlapping Pictures

You have to make the pictures so they will overlap on all sides, like they do in Figure 3, then the brass hats put them together to form one big picture of the sector. So, thickheads, if you shot one here and another there, it would be as hard to match them up as a jig-saw puzzle.

Anyway, we get the five pictures on the first spurt across the line, nose her up and over into an Immelmann turn and start on the return voyage. But now we’re having the wind on our tail and are hitting it off at a hundred and fifty miles an hour. And so I’ve got to pull the string, count two, yank the lever, pull the string, and so forth. You can get it through your thick skulls, can’t you, that since we’re going faster, we have to work the camera faster to get the same number of pictures per mile? Good!

We Get a Break

But we get a break on this first return trip. We make a harder target for the archies who are sure burning up a lot of Herr Kaiser’s ammunition. Shells are bursting all around us. Not that I care, but I feel sorry for the pilot up in front. I bet he’s scared to death.

Whew! We’re back over our own lines. That’s great, except we’ve got to make another round trip to get the sector covered.

We act like we’re headed for home and the archies decide to call it a day and go home for a glass of beer. We’ve fooled ’em.

Then They Get Mad

Now we whip around and start plowing another furrow of pictures. The archie crew look kind of cheap at being fooled. Then they get mad and red in the face and call us a lot of schwein and ach du leibers and start sending us bursting greetings by the tons.

Well, I don’t like to talk about myself in too much detail, so I’ll just say that we accomplished the impossible and got back from that round trip.

The O.C. meets us as we settle gently to earth on one wheel and one propeller blade and rushes the camera to the dark room, where the experts develop the plates in about twenty minutes.

Now for Those Trees

Now if you can remember as far back as the beginning of this serious and highly technical discourse you might get some idea of what I meant. About those forty-year-old trees that grew up from acorns overnight, like Jack and the beanstalk.

Yes, they were camouflage to cover big guns that were being moved into place in the sector, but you’re both liars. You didn’t know that until I told you.

I have wasted my time giving you just one of many uses for aerial photography. Thousands of photographs were taken every day, and they enabled the generals to be prepared for attacks that otherwise would have surprised them. They gave exact information as to distance to strategic targets, and told when those targets, ammunition dumps, rail heads and concentration points were effectively incapacitated, as the big-word artists would have it.

Formed a War History

They formed a complete history of the war. They were studied and argued over, they solved impenetrable mysteries. There were thousands of pictures of every conceivable angle of the war. They’ll be valuable in the next war—which is headed this way faster’n a jack rabbit.

So now you two Rip Van Winkles can wake up long enough to try to make up your minds whether you want to shoot the enemy with a Kodak or a machine-gun during the next war. The photographic branch has gone forward just like the rest of aviation in the recent years and it’s going to be even more important.

Now you stay awake a while, while I sleep.

Although Gilkison was probably better known for his syndicated newspaper work, he also provided black and white story interior illustrations for pulp magazines. His work appeared in Clues, Thrilling Adventures, Texas Rangers, Thrilling Mystery, Thrilling Western, and Popular Western. Gilkison provided similar features in a few other Thrilling Publications—there was “Famous Soldiers of Fortune” and later “Adventure Thrills” in Thrilling Adventures, Famous Crimes” in Thrilling Detective, and the fully illustrated air adventure stories of Buck Barton “The Flying Devil” in The Lone Eagle! He signed most of this work with only his initials “T.G.” to maintain a low profile and preserve his reputation as a syndicated newspaper cartoon artist.

The March 1934 installment, from the pages of Sky Fighters, features “Fighting Dave” himself—David Sinton Ingalls, Lt. Frank Luke, and Germany’s Lt. Werner Voss!

Next time in “Famous Sky Fighters,” Terry Gilkison features Major Raoul Lufbery, Lt. von Eschwege, and Paul Lukas. Don’t miss it!

The Story of the Cover

THE planes pictured on this month’s cover are the De Haviland 5 (D.H.5), an unusual back staggered job giving the pilot exceptionally good visibility, and the Pfalz D.12. The De Haviland name is taken from the chief designer of the Aircraft Manufacturing Co., a British company formed in 1912. The Pfalz D.12 was the successor to a long line of Pfalz ships, some of them—pusher—manufactured before the World War.

The usual V struts ordinarily appearing on the Pfalz ships have been discarded in this later model for twin bays of N struts on either side of the fuselage.

The D.H.5 pictured on the cover had been brought back into the war in 1918. It did its duty during 1917 nnd sent many German ships crashing to earth.

But those enemy planes were about equal in speed to the D.H.5. The Pfalz can outdistance the back-staggered British job about twenty miles per hour—some handicap. But don’t overlook the second D.H. coming into the fracas from above.

The pilots of the Allied ships are two Yank pilots, who, thinking the war in the air had become too tame, thought up a scheme to lure the Jerries into a real scrap. “We’ll give ‘em odds,” said one to the other.

“We’ll borrow those two old D.H.5s over in the Limey’s barn and go out and beg the Boche to come and play with us. Lately they’ve been hiding out way behind their own lines. We’ll sorta tie one hand behind the back and put a chip on our shoulder.” And so it came to pass that early one morning, helped by a British mechanic who was glad to get the relics out of his crowded hangar, they “borrowed” the two crates.

Back and forth above the lines the two Yanks drove their ships, ships which but a year before had been the last screech when it came to speed and maneuverability, but now pushed to the sidelines to make room for faster jobs. In the distance and in the direction of the German dromes they saw a single ship winging toward them at about one hundred and twenty-five miles per hour. The D.H.5s continued to saunter along at their hundred and five mile clip.

Evidently the Hun pilot knew that he was being bated because he became cagey when within striking distance. He shaded his eyes and looked carefully toward the sun. No lurking Allied ships could he spot, neither could he see any in any other direction. He licked his lips and cleared his guns.

Wham, he gave the Pfalz the gun and roared in to annihilate the brazen Yanks.

They let him blast them, let him get his bullets dangerously close to their skins before they lammed out of range. But those two were buddies, air buddies who worked together on enemy ships. Timing was their favorite stunt when flying their Spads. All they had to do in the slower crates was to wait a few seconds longer before opening up and letting the attacking ship slide through between them.

They did exactly this and then as the Hun was about to swing his fast ship around and barge back at the Yanks he found twin streams of lead boring into his ship, one stream from each single gun mounted on the front of the two D.Hs. A couple of those slugs got the gas tank. The engine sputtered, a tiny whisp of flame swept back, then suddenly the whole front of the engine cowling belched flames. One D.H. flashed by the German, whose ship was now slowed down under the speed of his enemy. The German yanked at his stick. If he could only climb his ship enough he’d ram the Yank with his flaming crate, take him with him on his death dive. But don’t worry, he didn’t do it because his opponents were only giving him a last salute before starting for home, giving him a chance for a last crack at them, but in doing it they didn’t take any chances of being shot down.

The Yank in the foreground didn’t flip into the Boche’s ring-sight till only the tail of his ancient crate would be available for the Spandau bullets to perforate. Again our friend had used—TIMING.

The Lone Eagle, March 1934 by Eugene M. Frandzen
(The Story of The Cover Page)

Bat Benson, Flight Leader, Always Panned His Observers—But Lieutenant Nash Just Wouldn’t Take It!

• Download “The Other Cockpit” (March 1934, The Lone Eagle)

In this, the second of the Silent Orth stories from the pages of March 1934 number of Sky Fighters, Orth doesn’t quite understand why the other pilots of the Ninth Pursuit Fighter Squadron are giving him such a hard time. The C.O. doesn’t mind as long as Orth keeps shooting down the untouchable Boche Aces. In the process Orth comes to realize that you don’t always have to crow about your accomplishments.

Chattering Vickers and Screaming Spandaus in A Gripping Story of a Hell-Busting Pilot’s Savage Determination to Down Death-Dealing Sky Foes!

• Download “High Explosives” (March 1934, Sky Fighters)

Roland Garros was one of the world’s foremost airmen before the World War began. When the French army was mobilized, Garros joined his squadron, the Morane-Saulnier 23, just as it was leaving for the front. He built up a wonderful record for himself in respect to scouting.

Garros was an inventor as well as an aviator, and from the beginning of the war he set about improving the airplane as a fighting machine. On February 5th, 1915, he mounted a machine-gun on his airplane in such a manner that it fired through the whirring blades of the propeller, and thus changed the whole course of aerial warfare. His gun was not arranged to fire in synchronism with the propeller, so to save it from being shot through with holes, he armored it with steel tips. The bullets hitting it would thus be deflected harmlessly.

Improvements came later, but Garros, with his crude invention, shot down the first enemy airplane to be winged from the air. And from February 5th to April 19th, 1915, he succeeded in shooting down four others, becoming the first flying Ace.

The Germans learned his secret and equipped their planes in the same manner as his.

The account below is taken from an interview he gave the day after he shot down his first victim.

WINGS OF DEATH

by Lieutenant Roland Garros • Sky Fighters, March 1934

NATURALLY, the question in my mind was whether it would work in the air or not. I had tried it on the ground, and the gun functioned perfectly. I was able to hit a small target at a range of 100 meters. That success made me anxious to take off immediately. But mon commandant, Capitaine de Beauchamp, restrained me until the next morning.

Then he patted me on the shoulder and smiled: “Come back, mon enfant and tell the rest of us how it worked.” I waved and shot down the field, taking off lightly as a feather, despite the added weight of machine-gun and ammunition.

I flew towards Germany, until I came to a German drome. Three ships were on the ground getting ready to take off. I slanted off when I saw them, knowing that they saw me. too. But I wanted them to come up and fly after me.

I would let them chase me until they got close, then I would turn suddenly and fire on the leader.

I knew I could duck their bombs and rifle fire, then would come the surprise. All three Taubes came up and started in my direction. I slowed down. They circled trying to herd me back towards my own trenches. I let them get closer. The leading Taube was less than a hundred meters behind. “Now is the time!” I said, and threw my little ship around swiftly. The German darted past. I had banked so swiftly he couldn’t follow. I banked again, lowered my nose, until it sighted right on the German pilot’s back. I pressed the gun trigger.

Clackety-clack—clack-clack!

The gun stuttered, shook. The bullets spewed out. Linen stripped from the Taube, blasting back in the wind stream. I moved my controls slightly, pulled the trigger again. The pilot wilted. The Taube went up on one wing, began slipping sideways. Then it nose-dived and plunged into the ground.

I wheeled then to attack the others. But one had been forced down with motor trouble. The other was running away towards his own drome. I chased him clear to the ground, and fired my last rounds as it landed. I had no more bullets, so rushed home to make my report to Captain de Beauchamp. I was breathless! My invention had worked in the air!

THE PLANES on this month’s cover are all manufactured by the same firm. The leading plane, the red two-seater, is a Morane-Saulnier Parasol (type P). The two smaller planes are single-seater Morane-Saulnier (type 27 C1), fighting scouts of the French air force which did fine service at the front during 1916.

The two-seater was used extensively during the same period by the French and the British for general reconnaissance and for artillery spotting. The Morane-Saulnier firm also turned out a twin engined job which saw plenty of active service.

On a Prowl of Their Own

Artillery spotting was really spotting the bursts of our own artillery and by radio adjusting the fire for the batteries. But in the picture on the cover the Moranes have finished their job of adjusting fire and gone on a prowl of their own. Instead of turning back toward their own lines and safety they have gone deeper into enemy territory and have done some artillery spotting which is not in the instruction books for what the well-trained observer shall spot.

For days the Allies have been harassed by a mobile battery of German guns which has changed its position so quickly after laying down a blanket of shells on some strategic point that the Allied counter batteries have been unable to blast them out.

One of the scouts in the background had seen a battery digging in when on his dawn patrol and mentioned it to the pilot of the two-seater Morane and to his pardner in the other single-seater Morane. A few extra belts of ammo were pitched into the pockets in the cockpits and after the thankless little job of ranging the artillerymen’s guns has been accomplished they streak along on business of their own.

And from the action depicted on the cover it looks as though they arc causing plenty of trouble to the Boche servicing those fast firing field guns. But they are not getting away with their surprise attack without some reply from the men on the ground.

That Maxim machine-gun in the foreground is trained in a pretty dangerous way on our friends in the first plane, trained so it is raking the whole ship; but those hands clutching the gun handles won’t function for more than a split second if that second Morane, the little red scout with the purple wing, continues to hold its bead on that ground machine-gunner.

Two Planes Roar In

Suddenly the alert observer in the front ship swings his Lewis gun away from the battery on the ground. Two enemy planes arc roaring in from the side with gun3 blazing. The more or less one-sided scrap will turn into a free for all in about two flips of an aileron.

And just to make it all the more interesting for the raiding Allied aviators, one of the cannons sprays fire from its recoiling muzzle and hurtles a twisting shell fall of high explosive at the leading two-seater. The explosion rocks the ship and pitches its nose toward the ground. It is yanked back into level flight in the nick o£ time and the three Moranes go roaring toward home. The two-seater brings up the rear and the observer has plenty of work for his Lewis gun. The German planes pursue, but are just a shade slower than the Allied ones.

Score for the Allied pilots: one disabled German battery put out of commission long enough for the radio-equipped Morane to transmit the map coordinates to his artillery buddies. Ten minutes later there is no German battery; it has been knocked to pieces by concentrated demolition fire by a brigade of Allied heavy guns.

Sky Fighters, March 1934 by Eugene M. Frandzen
(The Ships on The Cover Page)

Next time, Mr. Frandzen features the Nieuport 17 and giant Gotha bomber!

THE cover this month shows an S.E.5 diving on the tail of a Fokker which is on the tail of another S.E. A split second later—

Early in 1918 there appeared at a British squadron a group of replacements, among them a youngster whom we shall call Jones. After several practice flights near the lines, Jones eventually took his place in a formation that was out for real trouble. As they crossed the Front, archie was particularly active and very accurate. Shells burst close to the formation, too close for comfort, and Jones proceeded to zigzag madly. The patrol leader turned about to pick him up, but Jones was headed for home at full speed.

When the patrol returned an hour later, the leader proceeded to read the riot act to Jones. He was told that it was a pilot’s duty to keep formation, not only for his own sake, but for the sake of the rest of the flight. If the patrol got into a scrap, one machine missing would be serious— perhaps fatal. He was also told what became of stragglers, who were the Boche’s favorite dish. He was threatened with all manner of unpleasant things if he broke formation again. The lad promised to do his best.

That same day he was again a member of the flight. He kept formation despite archie—which was not as severe as earlier—and completed the patrol.

The next day, however, when archie plastered the sky a little more vigorously, Jones again broke formation and sped for home. This time the lack of one ship missing had serious consequences for the flight. They ran into seven Boches and the battle raged for half an hour. When the flight drew off for home, one of their number had gone to the happy hunting ground.

The straffing Jones received from the entire squadron is history. After long deliberation, the youngster was given one last chance to save himself from disgrace.

The flight left the field with Jones the next day. He had been moved in position to give him confidence and he stayed in place during the usual archie. Some half hour later the flight leader saw several Pfalz scouts 8,000 feet below. After a look around he gave the signal and down they went, Jones with them. During the fight two of the Germans were shot down, one in flames.

Them from above dove three Fokkers. One of these got on the tail of the flight leader, and before he realized what had happened he received a burst of Boche lead that put his Vickers out of action. He put his plane through every maneuver he could think of—and some he didn’t think of—but one of the Fokkers always clung to his tail.

There was nothing he could do but spin down and try to hedge hop home.

Down he went in a spin. At fifty feet he flattened out and with throttle wide open, streaked for home. But he was not alone. The Fokker still rode his tail, pumping steel into his S.E.

Nothing, apparently, could save the Yank. His Vickers were out of action and his Lewis drum was empty. Gas was getting low, also. As he turned, a burst went through the fairing back of his head just missing his shoulder. In desperation he swung in a steep right turn. Just as the Fokker turned to follow, out of the sky hurtled an S.E. The flight leader recognized the number—Jones . . . .

—the S.E. crashed into the Fokker; the wreckage dove deep into the ground. And so Jones died, that a comrade might live.

“Hell On Wings: The Story Behind The Cover” by Frederick M. Blakeslee (March 1934)

Check back again. We will be presenting more of Blakeslee’s Stories behind his cover illustrations.

On any other day Tom Dillon would have thrilled at the yammer of those Spandaus—would have leaped to his guns as the pair of green-trimmed Fokkers dived by. But on this one day, when death came nearer than ever before, his hands froze on the Lewis grips—and he could not fire.

• Download “Jinxed Joysticks” (March 1934, Flying Aces)